I can’t seem to get my head around this issue. The answer for me is a clear no. Why? You chose to look into the arts/design and offer an assignment or a project or a frog. You are looking for a logo. You are looking for something to come up on that wall over there. Yes. I am looking for a good butcher -I’m dying to make an excellent stew. I want good quality meat which I trust. Do I now go ahead and tell the butcher, “Hey you know, there’s a hundred meat shops in this city – if you want me to buy your meat you will have to make it cheaper and better than the rest!”(?) Please if you come to me for work that you need, understand your ethical position and don’t behave like a moron! Surprise me! I have been fortunate enough to receive a few grants and scholarships but none of the people who gave me those behaved condescendingly. So dear Indian clients, grow a little gentlemanly or gentlewomanly else walk back slowly (f*** off). Conditionally yours, Samia.
love storms. I love rain. I think a lot of people sweating it out in 48 degress centigrade in northern India share this love for rain, clouds and stormy weather with me. In my first sketch for the street art wall mural, I drew our dog Ajibo with me and Vaibhav flying out, away from the storm. For me this was an image to communicate how I was feeling with a new addition of this love-crazy puppy to our lives. That’s one layer of content: the personal. Then, this sketch was shown to the head of the city council of Carballo, Spain – who heads the street art project and is responsible for the funding, the production et all. Then the initial sketch was shown to the lady who owns the house whose wall I would be painting.
The initial sketch, in my delighted escape from the Delhi summer was cloudy, windy and stormy. The mausam of my soul. But the lady found it dark and depressing.
I had other ideas about the mural but I had only mentioned them in text and who can imagine a painting from a few lines of text? I did the second draft using warm colours. I never use warm colours. I don’t know why. I love the mystery of blues and greens. For years these are the only two colours in my wardrobe. Its natural that they are the colours I always pick for the pallete too.
But this is not my sketchbook, it is someone’s house and someone’s money and together this wall will become an experience for someone else who walks past it. Here is where it comes in. ¿How can you use your work to make people smile? It’s a naïve question, yes. But it’s also a fundamental one.
I always find myself between two points. I love realism but I also love surrealism. I love to see the sun break the sky into a hundred shades of orange red pink yellow and purple but I also value the hundred thoughts inside my head. What you see and what you think. Truth and humour. I don’t want to show you a beetle that I drew 20 times and have mastered. I want to show you all my memories. I want to show you all the things that touched me and I want to show you how I feel here. But that’s not it, I want to you feel something too. I want your thought that you carried in your mind to be forgotten when you see this wall. I want you to stop a moment and look a little closer. I want you to smile.
This of course will continue, the communication. Slowly the aesthetic will evolve, maybe it will get more cartoony, maybe it will get more realistic, maybe it will continue to sit right here in the middle.